Acoustics of baroque, classical and modern flutes

modern flute
C foot

F5
Music Acoustics UNSW

modern B modern C classical C classical D classical flared baroque B3
C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4
C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5
C6 C#6 D6 D#6 E6 F6 F#6 G6 G#6 A6 A#6 B6
C7 C#7 D7 D#7 E7 F7 F#7 multiphonics

Impedance

Fingering
 a key depressed
a key not depressed
a part of the mechanism that is not normally touched
Details in fingering legend.

Acoustic schematic
a closed tone hole
an open tone hole

Non-specialist introduction to acoustic impedance
Non-specialist introduction to flute acoustics


Impedance spectrum of a modern flute with a C foot measured at the embouchure hole using fingering for F4 and F5. Z is plotted in dB, i.e. 20 log(Z/Pa.s.m-3).

The flutist uses the same fingering for F4 and F5, but changes the speed, length and shape of the jet. The first five minima can be played. All lower minima support harmonics in F4. In F5, only the even minima are involved. (Inaudible traces of the lower note are visible in the sound spectrum for F5 which has tiny peaks at harmonics of F4.)

The Virtual Boehm Flute may suggest other fingerings for this note.
Fingering legend
How were these results obtained?
Acoustic measurements are available for these flutes -
modern B, modern C, classical C, classical D, classical flared, baroque
Sound clips are available for modern B, classical flared and baroque		 To compare flutes, it is easiest to open a separate browser window for each instrument.
Copyright © Academic Press. JSV+ Joe Wolfe, John Smith, John Tann and Neville H. Fletcher, Acoustics of baroque, classical and modern flutes
Revised to include the baroque flute 2001.