Acoustics of baroque, classical and modern flutes

modern flute
C foot

C#4

Music Acoustics UNSW

modern B modern C classical C classical D classical flared baroque B3
C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4
C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5
C6 C#6 D6 D#6 E6 F6 F#6 G6 G#6 A6 A#6 B6
C7 C#7 D7 D#7 E7 F7 F#7 multiphonics

Impedance

Fingering
a key depressed
a key not depressed
a part of the mechanism that is not normally touched
Details in fingering legend.

Acoustic schematic
a closed tone hole
an open tone hole

Non-specialist introduction to acoustic impedance
Non-specialist introduction to flute acoustics


Impedance spectrum of a modern flute with a C foot measured at the embouchure hole using fingering for C#4. Z is plotted in dB, i.e. 20 log(Z/Pa.s.m-3).

With one hole open, the filtering effect of the downstream holes is noticeable at frequencies above 2 kHz. The first seven minima can be played, but usually flute players only play the first, for which the higher minima aid the production of harmonics. For another comparison of the filtering effect of one tone hole, compare C4 on this flute with C4 of a B foot flute.

Sound


Sound spectrum of a modern flute with a C foot played using fingering for C#4.

Sound Clip

You can hear C#4 played by Geoffrey Collins.


The Virtual Boehm Flute may suggest other fingerings for this note.
Fingering legend
How were these results obtained?
Acoustic measurements are available for these flutes -
modern B, modern C, classical C, classical D, classical flared, baroque
Sound clips are available for modern B, classical flared and baroque
To compare flutes, it is easiest to open a separate browser window for each instrument.

Copyright © Academic Press. JSV+ Joe Wolfe, John Smith, John Tann and Neville H. Fletcher, Acoustics of baroque, classical and modern flutes
Revised to include the baroque flute 2001.