Acoustics of the saxophone |
Bb tenor saxophone |
G#4 |
Fingering Acoustic schematic Non-specialist introduction
to acoustic impedance Notes are the written pitch. |
At frequencies below about 1 kHz, this curve looks rather like that for F#4 and G4, but raised in frequency. At higher frequencies, however, the situation is complicated by the cut-off frequency. Here, the 1 kHz cutoff weakens the third peak. The first peak can be reduced in magnitude and shifted in frequency using a register hole (operated by the octave key): see G#5.
For general comments about the first register, see A#3. Compare with the impedance spectrum for a soprano sax on written G#4: same fingering but sounding one octave higher.
Sound spectrum
of a Bb saxophone
played using fingering for G#4.
For more explanation, see
Introduction to saxophone acoustics.
Contact:
Joe Wolfe
/ J.Wolfe@unsw.edu.au |