Acoustics of the saxophone |
Bb tenor saxophone |
D#4 |
Fingering Acoustic schematic Non-specialist introduction
to acoustic impedance Notes are the written pitch. |
At frequencies below about 1 kHz, this curve looks rather like that for C#4 and D4 , but raised in frequency. At higher frequencies, however, the situation is more complicated because of the cut-off frequency. The 1 kHz cutoff means that there are only three strong peaks, so only three notes that one can 'bugle' with this fingering. The first peak can be reduced in magnitude and shifted in frequency using a register hole (operated by the octave key). See D#5.
For general comments about the first register, see A#3. Compare with the impedance spectrum for a soprano sax on written D#4: same fingering but sounding one octave higher.
Sound spectrum
of a Bb tenor saxophone
played using fingering for D#4.
For more explanation, see
Introduction to saxophone acoustics.
Contact:
Joe Wolfe
/ J.Wolfe@unsw.edu.au |