modern flute
B foot
A#4
| Acoustics of baroque, classical and modern flutes |
modern flute
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A#4 |
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Fingering Acoustic schematic Non-specialist introduction
to acoustic impedance |
The flutist uses the same fingering for A#4 and A#5, but changes the speed, length and shape of the jet. The first four minima can be played. These minima support harmonics in A#4. In A#5, only the second and fourth minima are important. The two fingerings given are acoustically equivalent: either the left thumb or the Bb lever is used to close the same hole.
Sound spectrum
of a modern flute with a B foot played using short
fingering for A#4.
You can hear A#4
played with short fingering
by Geoffrey Collins.
Long Fingering |
modern flute B foot |
|
Fingering Acoustic schematic Non-specialist introduction
to acoustic impedance |
This fingering is sometimes more convenient in rapid passages involving B, A# and other notes. It is, to a small extent, a cross fingering. Compared with the standard fingering, the third impedance minmum is weak, as is the third harmonic in the sound spectrum. The first four minima can be played.
Sound spectrum of a modern flute with a B foot played using long
fingering for A#4.
You can hear A#4
played with long fingering
by Geoffrey Collins.
may suggest other fingerings for this note.| Acoustic measurements are available for these flutes - modern B, modern C, classical C, classical D, classical flared, baroque Sound clips are available for modern B, classical flared and baroque |
To compare flutes, it is easiest to open a separate browser window for each instrument. |
a key depressed
a key not depressed
a part of the mechanism that is not normally touched 
a closed tone hole
an open tone hole